Artist Spotlight: Wendy Stevens

By Wendy Stevens

By Wendy Stevens

By Wendy Stevens

By Wendy Stevens

 

Wendy Stevens is a metal artist, recognized at the 2012 Philadelphia Museum of Art Craft Show with the Eric Berg Prize For Excellence In Metal.

She began designing handbags in 1983 in New York City, where an inner artistic potential was triggered by the variety and use of industrial materials that surrounded her daily life in the city.  Her ideas were transformed into designs for durable metal handbags in a variety of sizes, shapes and metals. Working intuitively, in an environment of artistic friends, she began to create an original, unique style, resulting in a modern, durable and versatile accessory.

All handbags are made of stainless steel with leather and metal components and are hand fabricated and assembled in a recently refurbished production facility outside of Philadelphia.  The use of stainless steel as the primary material has been effective in the strength, form and longevity of the product. When paired with the leather elements, the handbags become user friendly and ultra functional.  Maintaining quality and precision in the fabrication of each piece is crucial.

She continues to push the boundaries of working in this medium. We look forward to seeing more of her designs.

Artist Spotlight: Maria Eife

DSC_5648-S maria eife

Maria Eife, far right

Maria Eife, a jewelry maker, exhibited for the first time at the 2012 Philadelphia Museum of Art Craft Show, as part of the Emerging Artists category. This category is designed to encourage the participation of craft artists who are beginning their careers.

Cage Bangle by Maria Eife

Cage Bangle by Maria Eife

Maria mixes traditional jewelry methods with modern inputs from computer programs such as Rhino and Adobe Illustrator to create fresh designs.  She incorporates use of laser cutters and 3D printing and uses a variety of materials such as nylon, rubber, sterling silver and felt.

Maria’s designs are eye-catching, and also communicate a deeper message.

Loop Hoop 4 by Maria Eife

Loop Hoop 4 by Maria Eife

“I am intrigued by the idea of a wearable story and communication through jewelry,” says Maria. “The Binary series is based on the computer language of Binary Code. The necklaces spell out “What?” and are a statement on digital communication, or mis-communication”.

The Emerging Artist category continues to attract young artisans who are looking for a way to expand their network and build a following for their designs.  And Maria Eife certainly gained fans last year!

Artist Spotlight: Marie Galvin

Marie Galvin

Marie Galvin

Hats have always been a part of Marie Galvin‘s vision of the perfect accessory.  Her award winning sculptural millinery features contemporary designs employing her own innovative and distinctive techniques.  Creating unique fabrications & specializing in sculpting feathers and unique trims into modern silhouettes are a significant part of the process as the hat design itself.

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Ky Nguyen, Christy Klug and Marie Galvin at the GALVIN-ized booth

Marie Galvin is a self-taught milliner, who studied deconstructed vintage hats and old editions of millinery instructional texts to learn foundational techniques that she has used to create dramatic headpieces. 

Her original pieces have been hand-constructed using wool, felt, opulent fabrics and exotic feather trims. Galvin’s have been worn by celebrities such as Cher, Alicia Keys, Vivica A Fox, and Claire Daines.

“My mission is to create unique handcrafted headwear, providing multiple expressions for the women who wear them”, says Galvin.

 

An Interior Look by Marcello Luzi

The Philadelphia Museum of Art Craft Show offers interior design aficionados a plethora of options for finding distinctive artisanal works. We have been talking with two of Philadelphia’s leading interior designers to gain insights on trends, and to gather ideas about how to incorporate unique craft items into a home.

In this interview, we spoke with Marcello Luzi, a partner at the award-winning design firm Weizler, Peterson & Luzi, and graduate of the Interior Design department of the Art Institute of Philadelphia. Marcello specializes in residential design and small-scale commercial projects, and was the lead designer on the Philadelphia Magazine Design Home 2012 which opened in September 2012.

What are the trends you see for 2012-13?

I see a cozy, comfortable, rustic, natural, raw, unfinished, casual, hand-crafted, special, one-of-a-kind mind set. Style, but without pretentiousness; simplicity in the natural materials used in objects and furnishings. I definitely see a trend towards showing the beauty of the source of objects (like wood) without too much decoration, and things being used more in their natural state than highly processed – and perhaps used in a new way.  People are seeking out and gravitating towards nature and the environment. Object like wood, glass and porcelain whose raw materials come from the earth but then are transformed into an object of beauty and very appealing in their warmth and humanness.

Additionally, we no longer want to be confined to one style in our interiors. As the world becomes “smaller” due to travel and technology, we are much more aware of distant places and other cultures. We have embraced many of these cultures and borrowed from their styles. Therefore we no longer want to be restricted to just one style for our homes. Eclecticism is the new style where we can take from many styles and blend them together.

How does the handmade craft item fit into these trends?

These style trends work perfectly with crafts and handmade objects. I find people wanting to get away from mass production and see them gravitating more towards special unique pieces.  Everyone doesn’t want the same exact thing their friends or neighbors have; we want our spaces to be special and uniquely ours. These artists and artisans are a way to do that.   “One of a kind” hand crafted pieces are so much more special and unique.

You’ve had a chance to preview the craft artists exhibiting at the 2012 Craft Show… 

Yes, and if I had a million dollars to spend I would go on a wild shopping spree!

If you were to incorporate one of the craft artist’s pieces into an interior, how would you do so?

I’ll offer suggestions for two of the craft artists – Justin Teilhet and Jay Rogers. Incorporating either artist’s pieces into the home is quite easy.  Beautiful objects will travel and work in a variety of spaces and styles. Here is what I recommend:

Justin Tielhet

Justin Tielhet

Justin Teilhet makes gorgeous porcelain vases and vessels which are sculptural and stunningly beautiful.  Whether you use them as a center piece on a dining table, on a console in an entry foyer, on a fireplace mantle, on bookcases or in a wall display as shown on his website, they are all three dimensional art that is amazing beautiful to look at.  Placed alone as single pieces or in groups they provide lots of flexibility.  I find myself just staring at them for their beauty, simplicity and yet somewhat complex quality.  Art does not only exist in two dimensions on a wall in a picture frame, this is three dimensional art and a great way to add more interest to an interior.

Jay Rogers

Jay Rogers

Jay Rogers makes beautiful intricate wood boxes which in themselves are conversation pieces.  Beautiful to look at and often even functional with secret storage compartments these are special one of a kind hand crafted masterpieces.  Wood is transformed into something beyond its simple natural quality and yet while very intricate and seemingly engineered to a high standard the warmth of the natural wood makes a complex shape very approachable and inviting.  I would use these pieces as art, on a table, on display, in a bookcase or on a sideboard.  Some can even hang on walls and be truly functional.

Both artists’ work is unique and special and appeals to me on many levels.

 

On Preparing For Philly…

by Lori Bacigalupi, Kiss of the Wolf

There’s a special challenge for those of us in the wearable art business for thirty years or more. In order to look fresh we need to explore uncharted design territory. Batik, shibori, and screen printing are some of the fabric design approaches I have studied and worked with. There is unlimited opportunity in experimenting in any of these disciplines. Combining screen printing with batik, for example, offers unlimited possibilities and many surprises. The challenge is to go places where no craftsperson, me included, has gone before.

This past August I had an opportunity to jury the American Crafts Council 2013 applications in fashion wearable, fashion accessories, and leather wearable. This was not my first time to jury a craft show. If our past provides history it sometimes provides insights as well. In earlier jury processes photographic slides were projected on a wall. During that first opportunity I suddenly had a chance to see my work projected all at once, along with slides of other applicants. It was an invaluable experience because it gave me a new way to see my work as a body, a collection.

Recently, sitting quietly in the privacy of my office, seeing the digital selections of many talented artisans on the screen of my Mac, I once again got to see work through new eyes. What struck me was that I needed to explore some new fabric techniques or to develop new approaches with the familiar ones. This need to discover requires experimentation. This experimentation is the nourishment which enables work to grow.

Since jurying in for any show is the first step in the process of bringing new work to the market the concept for the collection is seeded at application. One of the important concepts I recognized from looking at other work is that too much subtlety may not be an advantage. This is tricky because I am a woman who loves black. I love subtle variations of black too… like cassis and caper, espresso and blue-black. These colors have been staples in the Kiss collections from the start. With that in mind I decided to create work with more extreme color contrast and stronger graphics.

With the  Craft Show 2012 so close, I have my work cut out for me. The studio lights burn all day and often into the night, especially when a new direction emerges. This falls collection features process oriented, bold designs created through non-traditional printing techniques and direct dye applications. I am still excited after these 30 years, to see what secrets become revealed. Being true to the process of exploration and bringing fresh work to the market transmits itself onto our clients. This recognition encourages a more successful show.

Kiss of the Wolf has a long history with the Philadelphia Museum of Art Craft Show. I have been supported in so many ways by so many people in this great city. I always want to bring completely new clothes and textile designs. So, this season I am fully involved with the need for revision. Re-vision is great because it always implies looking again at new techniques and processes. I love strong graphic patterns; my instinct for aboriginal art is finding its way into the cloth. Sometimes the fabrics shout!

 

 

 

 

 

 

 

 

 

The Art of Buying Crafts: Genvieve Goldstein

We’re  gathering  tips for shopping at the show and collecting crafts from Genvieve Goldstein. Genvieve is co-chair of the Young Patrons (40 & under) of the Craft Show Committee, and first became involved with the event as a volunteer. Among her collection of fine crafts, one can find hats, semi-precious jewelry, ceramics and wearable fiber.

How did you become involved with the Craft Show?

Describing her first volunteer experience booth sitting for artists on their lunch break, Genvieve said, “I learned how much work and talent went into each one of these crafts and just fell in love with this whole experience of being able to talk face-to-face with the artists there.

What advice would you give to someone considering going to the Craft Show?

“There is certainly something there for everyone.   It’s important not to have any kind of preconceived notion of what you are going to see.

The crafts are all museum quality… and there is a jury  of five experts in the field of contemporary craft who decide who gets to show at the Philadelphia Museum of Art Craft Show.

Tell us a bit about your collection. Is there a piece that is particularly sentimental for you?

“I love them all! I get a lot of joy out of purchasing and taking something home an object that was handcrafted and made by artisans.

My mother actually bought me a ring [by Kristin Lora] and it’s a car, and there is a little figurine of a woman inside the car, driving. The headlights and taillights are stones. It definitely starts a lot of conversations.

And I have a number of hats, and one I’m particularly fond of is a straw top hat from Ignatius Hats…  a lot of fun to wear in the summer.”

“There was an artist at the 2011 Show, Paveen “Beer” Chunhaswasdikul, who does these whimsical ceramics… he had the most wonderful way of talking about his work. He was just so in love with his work and excited about it that it was hard not to get excited with him… the mug I ended up getting looks like a grenade – each piece is different – and you pull out the pin of the grenade if you want to microwave it or put it in the dishwasher… Each one had it’s own quirky aspect.

The ability to have a conversation with the artist who made the piece is one of the unique aspects of purchasing an item at the Craft Show.

“Yes, and the fact that there is an international component… you rarely get to meet the artists who make some of these crafts. But at the Craft Show, you get to meet artists from a different country and purchase a piece of theirs to take home or give as a gift to someone… it’s really amazing.”

What advice do you have about selecting a contemporary craft piece to purchase?

“Go with your gut feeling and your heart and buy what makes you happy and smile. That’s what I do when I go – I don’t go looking for anything in particular. You have to find something that draws you to it, something that you want as part of your collection that you go to year after year.  There are items that are affordable – what I buy generally ranges from $50-$200.

The things I collect are something more [than just the object] – it’s something I like to share with other people, or let them borrow, or simply enjoy just looking at – I have a hat that hangs on my wall all year round because I just love seeing it.”

 

 

Each year there are new craft artists who participate, and some who return. For a preview of artists participating this year, visit our Flickr account. Come to the 2012 Philadelphia Museum of Art Craft Show and get inspired!

Fashion Spotlight: Colored Blazer

2012 Fiber Wearable by Teresa Coburn

To pull an outfit together, just add a jacket – piece of cake. And the icing? A luscious patterned hue.

Blazer: Teresa Coburn (Fiber Wearable) – Philadelphia Museum of Art Craft Show 2012


Fashion Spotlight: Power Play

Who says work looks have to be a yawn? With a flash of color here and a show of silk there, bring swagger-and-passion to dressing for the job!

Garment: Marla F. Duran (Fiber Wearable) – Philadelphia Museum of Art Craft Show 2012


Fashion Spotlight: Arm Yourself

Time for a double take. Matching oversized bracelets-one on each wrist-is the freshest way to go bold!

Bracelets: Mary Hughes and Caro-Gray Bosca (Jewelry Precious) – Philadelphia Museum of Art Craft Show 2012

Fashion Spotlight: Go Long

You won’t need a necklace with danglers like these! Elegant and edgy, these dramatic drops glimmer through lustrous locks oradd serious color to an updo on a night out!

Earrings: Devta Doolan (Jewelry) – Philadelphia Museum of Art Craft Show 2012